"On Zoon’s exquisite second album, Bekka Ma’iingan, Monkman frequently sidesteps conventional songcraft altogether and surrenders to the impressionistic power of sound. Bekka Ma’iingan is at once his most opaque and most open-hearted work, less interested in explicit storytelling than in making you feel the deep-seated ache and hard-won euphoria coursing through Monkman’s veins."
- Pitchfork
"The music arrives in dusty, amorphous gusts of sound — sometimes revealing a strummed acoustic guitar, sometimes swelling with tremolo strings, sometimes surrounding Monkman with high, delayed vocals — that make every perception sound fragile and precious."
- The New York Times
Zoon created Bleached Wavves with extremely limited, often broken gear. They worked through frustrating, lengthy delays and yet managed to reverse engineer a masterpiece of a debut. With sophomore album, Bekka Ma’iingan (Bay-ka Mo-Een-Gan) a broad spectrum of possibilities, lush orchestration, resources, collaborators and friends all supported the process. Bleached Wavves provoked us to face many difficult questions and reckon with a deeply uncomfortable and painful history. Bekka Ma’iingan continues to explore their Indigenous and life experience, and while still clutching to the unresolved, it moves us more softly and sweepingly towards acceptance.
