Friday, October 11, 2019

Club 8 • Så Underbart Va Livet • 2019


Today Swedish duo Club 8 release their first new material in over a year via Golden Islands. On "Så Underbart Va Livet" (which is in English and not Swedish no matter what you think!) they use dusty organs, ambient soundscapes and Asian mallet instruments to create experimental pop music that is overwhelmingly sad and peacefully happy.

Iñigo Montoya • MDTG • 2019


Between melodic and depressive ambient music, ironic rap-punk and electronica Nicolas-Jaar French pop, Iñigo Montoya is definitively a French project without borders. Their imaginary and ironic texts mock both the hypocrisy of an individualistic society, the standardization, the bourgeois classe and give a new message of a return to a fantasized Eden.

Ali Barter • Big Ones • 2019


Dodging the pressures placed on us by work, school, our relationships and ourselves is a constant dance, and Barter uses her frank lyricism as fancy footwork to curve negative vibes on "Big Ones". Of the track, Barter says: “I wrote ‘Big Ones’ during a time when I was sorting through the stress of expectation. Expectations from the people I work with, people I live with and mainly the ones I was putting on myself. So the song is essentially about opinions.” 

Tuesday, October 8, 2019

Approaching Perfection • A Tribute to DC Berman • 2019


« The idea came from my friend Baptiste Fick, who taught me two decades ago how to play How To Rent a Room on a guitar. “What if we organized a tribute compilation of David Berman?” As is customary at Section 26, I responded : “Let’s do it. We’ll think about it afterwards.” The musicians we started to contact reacted the same way, with short and direct answers. We often got a modest : “I’m in, buddy!” Sometimes, we’d receive whole testimonies of an encounter, an interaction with David Berman around Jewish mysticism, or teenage memories which obviously struck a chord with Baptiste and me. Even the most legitimate refusals were encouraging. Xavier Mazure

Adrian Prath • Lake Ontario [Full EP] • 2019




"Lake Ontario" - Press Release:
Adrian Prath, the 25 year old from Germany, releases his amazing ‘Lake Ontario’ EP a optimistically wistful ambient adventure. At times spacious and atmospheric and at times upbeat and groove heavy, the fast pace and dance-able rhythms on ‘Rupert Station’ kick the EP into high gear, a stark contrast from the chill down tempo ambient DreamPop that sets the foundation for ‘Lake Ontario’. The track ‘North’ has a haunting guitar melody mixed with psychedelic reverb and effects and crunchy drums that sound like a classic cassette recording. The ever evolving instrumental expands past psychedelia and tip-toes into down tempo experimental funk, another interesting departure from underlying substrate set in the sequence of opening tracks. The closing track ‘2nd Floor’ is indie heaven, dance heavy and heartfelt, the chorus and spacey guitar melody put the listener in a trance-like state. Immediately upon finishing ‘Lake Ontario’ you want to restart it, hearing the tape be inserted one is relieved on the beginning of ‘Hat Away’ , the lofi Indie ballad, not having to actually rewind to revisit this riveting work.

Friday, October 4, 2019

a Singer of Songs • Portraits • 2019



Dan Moxon • The Blue • 2109





Lounge Singer was a collection of half older songs/half new songs that I collected together to form my first solo album. As with most of my songwriting, I pulled ideas and themes somewhat stream of consciousness style from my own experiences without ever trying to reference anything specific. 

I like to note that there isn't a single guitar on the whole album. I think that with my main rock band, Bend Sinister, things always end up going a certain way when you start adding guitars and distortion. With Lounge Singer, I really wanted to let it breathe and have the piano and vocals be the driving force. 

River Westin • Gardens in the Summer • 2019



Hi,
My name is River Westin, I really love the music on If It Be Your Will. I thought the vibe of my new track might fit in. It’s a nostalgic, dreampop track with a soft, melancholy tone. It might be a bit slower than you’re typical feature but I thought you’d appreciate the sound! It's my first release since placing Top 10 in the 2018 International Songwriting Competition's Adult Contemporary category and I’m really excited to share it.

Thanks for the share River. I'm digging the vibe of your sound.

Wednesday, October 2, 2019

An Orchestrated Impulse • 2019




An Orchestrated Impulse is a flipbook saga of mutual admiration against an electronic landscape. A humble hello that evolves into a hangout. A casual conversation that becomes the desire to communicate across distance, across mediums, in different creative languages to convey a sincere mutual appreciation for and reflection of one another’s perspectives.

Cathedral Bells • "Heavy Rain" • 2019



"As gauzy as it is ’gazy, Matt Messore’s dream pop project sounds like the Gulf Coast response to SoCal’s Surf Curse and their bedroom pop offshoots." ~ FLOOD Magazine

"What began as Messore’s bedroom pop project has flourished into well-crafted shoegaze for daydreams and late-night mischief."  ~ The 405

Tuesday, October 1, 2019

Fir Cone Children • Fog Surrounds Us • 2019


"It's a sparkling offering of 11 brand new indie-rock, shoegaze-oriented post-punk episodes blending it all with some psychedelia too, ultimately sounding as what can be best described as dream-punk." - Post-Punk.com (USA) 

Pom Pom Squad • Ow • 2019


solid female vocals push the simplicity of the music to a point of greatness

Bonnie "Prince" Billy • BPB Mix Tape Volume 5 • 2019


SIDE A:
1. Kentucky / Will + Dawn 8.14.12 What The Brothers Sang Sessions
2. Bolden Boke Boy / Palace / 10.4.96
3. Ballad of Joe Hill / 10.9.15 Nelligan Hall Louisville KY
4. I Heard of a Source / 7.27.15 Kanfleuten, Zurich, Switzerland
5. The Sun Highlights the Lack in Each / 4.28.02 All Tomorrow's Partys E. Sussex UK
6. A Sucker's Evening / 6.7.04 Sluggo's Pensacola, Florida
7. O Let It Be / 6.29.03 Roskilde Festival, Denmark
8. Idea and Deed / 4.27.05 the Lava House, Louisville KY
9. The Pine Tree / 2.12.07 Corn Exchange, Brighton UK
10. Ode #3 / Ode Music
11. We've Only Just Begun / Carpenter's Cover, Snake Accident 



SIDE B:
1. The Butcher / Palace, Springfest, Columbia College MD 4.25.93
2. Let the Wires Ring / ABC Glasgow, Scotland 4.11.06
3. The Devil is People / 6.8.15 Bonny Stillwatter, Louisville Beer Store
4. Ruby / Tweaker 8.12.03
5. Stablemate / PeelSession 2.2.99
6. When Thy Song Flows Through Me/VPRO Radio5 DeAvonden Session 
Netherlands 6.13.98
7. Less of Me / Bonny Roughs 8.2002
8. Forever and Ever / Bonny & Susie
9. Black Captain / Wolfroy Vinyl Master 2011
10. I Am the Sky / 8.29.98 Rare Book Room Brooklyn, NY
11. Midnight Rider / Palace Brothers 9.8.94 Kaserne, Basel, Switzerland


Painter • 2019


simple beauty...

Saturday, September 28, 2019

Joel Jerome • There's Nothing Here To Bother You Anymore • 2019



His solo work traffics in the dusty, sepia tones of music that could only be made in LA's desert haze, and the bands (Cherry Glazerr, Froth, La Sera, etc) he's had a hand in producing have carried this torch to critical acclaim.

Buzzbands have premiered his new video for "There's Nothing Here to Bother You Anymore", and helped us announced his joining Dangerbird's Microdose Series. The video is directed by Steve Hanft, who directed the lo-fi Elliott Smith documentary Strange Parallel and shot Beck's "Loser" video, and follows a day in the life with Jerome and his bull dog as they wander through LA's sun-baked parking lots..


Völuspa • Live One Life • 2019


“Völuspa speaks to your subconscious realm. The dreams, the nightmares, the old lovers, the future self, the past self and to the holiness inside of you. It haunts you and comforts you at the same time.” 


‘Live One Life’ is a waking dream: throbbing synths, cascading piano and crystalline, ethereal vocals pull us deep into a stargazing pop song that ruminates on life, death, love and rebirth. As driving beats and luscious synth arrangements propel the song forward, Völsupa poses an eternal question on the song’s refrain - ‘Do we ever really die?’ 



“Tinged with delicate dream-pop, Völuspa's calm pacing translates into a lullaby with the airy instrumentals that softly echo into the horizon.”
The Line of Best Fit

“cerebral, but undeniably catchy pop tunes that sound like fever dreams starring a coven of witches led by Stevie Nicks.”
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