Showing posts with label electronic. Show all posts
Showing posts with label electronic. Show all posts

Jul 1, 2025

iftibeyourwill S05E26 • Marble Sounds


Pieter Van Dessel takes us on an unexpected journey from law student to the creative force behind Marble Sounds, revealing how serendipity and persistence shaped his musical evolution. When his wife received a grant to work in Montreal in 2005, Pieter's planned sabbatical transformed into musical opportunity after landing a position at a recording studio. This fortuitous circumstance provided both equipment access and creative community, allowing the first Marble Sounds EP to take shape with help from Canadian musicians.

His evolution as a performer stands as perhaps the most compelling aspect of Pieter's story. With disarming candor, he admits never aspiring to sing or front a band, making his growth all the more remarkable. "I wasn't a born entertainer," he shares. "I really had to learn it." Through countless live shows and persistence, he gradually developed the confidence that studio work alone couldn't provide. The key lesson? Rehearsals only help so much—real growth comes from repeatedly facing audiences.

For Pieter, songwriting remains his natural strength, with musical composition flowing more easily than lyrics. He chases that elusive creative spark—"the best feeling in the world"—that signals something special is emerging. Recent albums showcase distinct artistic approaches: the self-titled 2022 release employed self-playing pianos in deliberately limited arrangements, while 2025's "Core Memory" embraces 80s influences and childhood musical touchpoints like Phil Collins. Looking ahead, fans can anticipate "More Memory" featuring outtakes from recent sessions, while Peter already contemplates his next full album for 2028. Subscribe to hear our conversations with other fascinating musicians whose unexpected paths led to creative breakthroughs.

 

https://www.marblesounds.com/



Jun 8, 2025

Marble Sounds • Core Memory • 2025





Pieter Van Dessel is not one to stand still when it comes to music: the driving force behind Marble Sounds keeps challenging himself, exploring new horizons on every album. After the more melancholic eponymous fifth album, synths and drums take centre stage for a pure and almost electronic pop sound on sixth effort ‘Core Memory'

Feb 26, 2025

Mappe Of • Happiness In The Singularity • 2025




With a brand new track, “Happiness In The Singularity,” released today via Paper Bag Records, Mappe Of is stepping into the post-apocalyptic musical space. Within the modern tradition of post-apocalyptic art—perhaps even post-earth-as-we-know-it art— definitely post-pandemic - there's an increasingly tangible feeling like these works are no longer fictitious, but are instead a very real and present depiction of our lives on this planet. And yet, these works are most often defined by hope, and resilience, comradery, and faith. They pose to us, one of the most difficult questions we can face: Can we continue in the face of oblivion?

“Happiness in the Singularity” is a cyborg of a song, marrying pieces of the real with the ethereal in a shimmering, stuttering-then-smooth 7/8 waltz through a graveyard of VHS memories and corrupted .mp4 files. Theres a piano part playing counter to the artificial pings and clicks that swirl around—it feels as if one is in an existential behind-the-scenes control room. With the song, Mappe Of is imploring us to preserve our sanity and ourselves.

Sep 7, 2024

julia-sophie • telephone • 2024


“Elegant and smoky electronic pop…Widescreen and ambitious, embodying both the freedom that comes with independent musicianship.” – The Quietus


“A forward thinking avant-popster.” – Electronic Sound Magazine 


“Captivating synth textures, spiraling melodies, and intricate rhythms.” – The Line of Best Fit


“Mesmerizing…Worlds away from her garage-rock and pop beginnings in DIY bands...you can practically hear her tears within the soft, synth-led soundscape.” – Bandcamp Daily




Sep 3, 2024

The Oram Awards 2024 Winners


Oram Award Winners, left to right: 

Dali de Saint Paul, The Silver Field, Hanna Tuulikki, 
Lola De La Mata, xname



The Oram Awards celebrates women, trans, non-binary and gender expansive artists who are pushing the envelope of creativity in sound, music and related technology. Previous winners include Loraine James, KleinVenus Ex Machina, Francine Perry aka La Leif, and No Home. The work of this year’s winners represents the wide spectrum of innovative sound artists working in the UK today.

Aug 18, 2024

CRYBABY CLAIRE • BABY YOU CAN HOLD ME • 2024



Drawing inspiration from the intriguing tradition of professional mourners, Oslo-based CRYBABY CLAIRE merges gloominess with danceable beats. "I wanted to create music one would sob to, but the songs naturally evolved into something more uplifting," she reflects. "It mirrors my own way of coping with sadness—I often find solace in dance, even though allowing myself to shed a tear would bring more balance."


Jun 15, 2024

M. Vaughan • 'Keep in Touch’ • 2024

“This record is about these past few years of transition, trying to reckon with my own musical roots while making sense of life abroad, and eventually landing in a new place and making it home...The songs on this record are a fusion of my experience as a dance music producer and rock songwriter. Compared to True Life, my last LP as M. Vaughan, they’re more songs than tracks. Even if they have more of a pop structure, I couldn’t help but bust out the synthesizers and fuck up some samples—I use the tools of electronic music to make rock songs.“  – M. Vaughan (Full EP Statement Available Here)

May 19, 2024

Chartreuse • Whippet (Jaws of Love. Remix) • 2024




“Tender and powerful at the same time, in the way that The National combine those sounds and feelings" - Chris Hawkins, BBC6Music 

“One of my favourite tracks of the year” - Lauren Laverne, BBC6Music 

“Their sound is shimmering chambers of reverb heavy instrumentation, swirling melodies, strong production values, all resting on a bedrock of tender vocal performances” - The Line of Best Fit 

“Breathtaking.. This song is just ridiculous, easily up there, possibly top 10 for us” -
Sian Eleri, Radio 1

“Rich, luscious and well crafted” - DIY

“Soothing guitar pop for an anxious age” - Uncut



01. All Seeing All The Time (Art School Girlfriend Remix)
02. Switch It On, Switch It Off (The Big Moon Remix)
03. Agitated (DARGZ Remix)
04. Whippet (Jaws Of Love Remix)
05. Are You Looking For Something (Folly Group Remix)

May 9, 2024

Kee Avil • “Felt” • 2024



Kee Avil labels her music “folk” and, in doing so, challenges the framework of a genre synonymous with tradition. The Montréal singer and multi-instrumentalist has an impressive command over the guitar, which she underlines with unsettling electronics and piano. The end result basks in crinkly murk, the spell occasionally broken by a splash of crystalline fretwork or a bout of impassioned bellowing. Her full-length debut, 2022’s Constellation-issued Crease, melded post-punk, ambient, and experimental textures, hitting like a zap of static from a dark gray blanket. Kee Avil’s new album, Spine, leans further into thorny minimalism. It’s her most tingly and complex body of work to date.  bandcamp album of the day



May 4, 2024

Logan Lynn • I Feel Alone When I’m With You • 2024


"The song is a middle finger and a farewell to all of the shit that no longer serves me — including the people who have occupied space in my life undeservingly at times.” - Logan Lynn



Apr 28, 2024

PAN AMERICAN & KRAMER • "GROUNDWATER" • 2024




" This piece of Ambient-Cinema i've created for GROUNDWATER is based upon a dream I had, in which two ghost Titanics met on the sea. They drifted slowly towards me as I realized that I myself was the iceberg that would sink both ships, as the music of Gavin Bryars hums softly from beneath the waters. We steer our lives upon a dream within a dream."
- Kramer, 2024

Applied Communications • oxytocin drunk • 2024




"A record where all the mess and all the irony could feasibly break your heart"
Pitchfork

"Brims with a deeply personal core of identity"
Earmilk

"Mix-n-match, cut-n-paste DIY silliness that reminds us you can still get by on goofy honesty"
Exclaim!

"Hard to stomach, but even harder to turn away from"

PopMatters

"An avant-garde innocence that wouldn't be out of place on a listener playlist featuring musique concrète or experimental music"

Q Magazine

"Weird and wonderful"
Backseat Mafia


"It's a party jam for geeks. It's indie, it's pop, it's a cut-and-paste mishmash of electro insanity"
All Music

Oct 19, 2023

🎙️ ifitbeyourwill Ep. 11 • Careful


It’s been awhile since Eric Lindley aka Careful has released a record, but with a new baby, the pandemic all whirling, the wait has been well worth it. Eric is a musical scientist/psychologist who deconstructs his songs to see why humans react to certain chord structures, certain crescendos, tapping into the depths of a composition’s truth. This reflective pulling apart and reassembly of songs makes Careful’s songs so powerful, drenched in restrain and emotion. It’s probably best he only puts out a record every handful of years because they are so profound. On Careful’s latest LP Promise/Practice, it’s a journey of the purest indie pop you'll hear in a long time. Our featured track is the sublime "White light” which you’ll hear at the end of the cast. 
Enjoy 🎙️ 






The New York Times:
“Gorgeous . . . . From a tradition of unnervingly confidential, light-voiced male singers: João Gilberto, Arthur Russell, Lou Barlow of Sebadoh, Elliott Smith, Jamie Stewart of Xiu Xiu.” —Ben Ratliff

Oct 4, 2023

Careful • Promise dance + projection test • 2023




“Gorgeous . . . . From a tradition of unnervingly confidential, light-voiced male singers: João Gilberto, Arthur Russell, Lou Barlow of Sebadoh, Elliott Smith, Jamie Stewart of Xiu Xiu.”
New York Times


“Eric Lindley plays intimate, quirky songs with layered vocals that flow over warm acoustic guitar. Lindley colors his soft harmonies and restrained writing style with carefully placed electronics.”
- NPR

"A hopeless, pretty puzzle." 
Consequence of Sound


"Devastatingly intimate."
Under the Radar

"A nostalgic touch brought to life by a warm yet distorted soundscape of soft saxophones bolstered by poignant song writing"

Earmilk

"A beautiful song about a harrowing subject."

Backseat Mafia

"Eric Lindley’s songs have the power to infuse the stretch of time they occupy with a sadness that’s incidental but devastating."
LA Record

Aug 21, 2023

Vines • main street • 2023


On Birthday Party, Brooklyn-based composer Cassie Wieland (aka Vines) braids poignant, rich instrumentals with sparing lyrics. It’s a new, deeply personal direction for the composer, whose previous music was primarily written for others to play. Here, her own voice, diffused by the feathery touch of a vocoder, is front and center; her economical words stem from the loneliness you might feel on your birthday, where long gone memories and nostalgia feel their most acute. From these thoughts, Wieland weaves lush, contemplative tapestries, finding catharsis in fuzzed-out melodies.


Jun 13, 2023

Blast Electro Bomb • Are Quibbles • 2023



May 24, 2023

V/A • BIZCAS10: Ten Years of Business Casual • 2023


Apr 23, 2023

Podcast #9 • Bernice


 On this episode I reached out to Robin Dann aka Bernice from her Toronto home to talk about her music, her process, how she crafts her songs and a few more delectables about being an indie artist in 2023. Bernice's fusion of electronic, jazz infused indie pop is as thoughtful as the women behind the mic, not only in its' sonic tone but its soulful connections to nature and the human experience. 
Happy Earth Day 🌎 🌱 🌳 

Bernice's up and coming release https://bernice.bandcamp.com/album/cruisin

bernicemusic.com