Magiska's Annual 2020 Mixtape with contributions from members of our blog.
Hope you enjoy our mixtape…
Happy New Year!
Dec 31, 2020
Dec 30, 2020
Best of 2020 • LOMA • Don't Shy Away
On December 26th, 2018, Emily Cross received an excited email from a friend: Brian Eno was talking about her band on BBC radio. “At first I didn’t think it was real,” she admits. But then she heard a recording: Eno was praising “Black Willow” from Loma’s self-titled debut, a song whose minimal groove and hypnotic refrain seem as much farewell as a manifesto: I make my bed beside the road / I carry a diamond blade / I will not serve you. He said he’d had it on repeat.
Best of 2020 • Sol Seppy • I.A.A.Y.A Part One
What Sophie Michalitsianos has created, using barely more than her voice, piano, and cello, is magical, defying labels. Originally released as a private-press CD for her fans, I.A.A.Y.A, or I Am As You Are, is sublime, intimate, weightless, and comforting. The album takes its time yet feels urgent, like you need this music, this moment.
Best of 2020 • Revolutionary Army of the Infant Jesus • Songs of Yearning
Songs of Yearning is the fourth RAIJ album and perhaps their most coherent single body of work to date. An enticing combination of eastern religious sounds and iconography, acoustic and electric instrumentation, and lilting, meditative vocals, Songs of Yearning features pieces in no fewer than six different languages: Greek, French, English, Latin, a Finnish dialect of Swedish, and Russian.
Dec 29, 2020
Best of 2020 • Luna • Marquee Moon
During the current pandemic, with Luna members spread around the globe, our former bassist Justin Harwood suggested that we record Television’s epic track “Marquee Moon." We recorded the song one instrument at a time in four different locations; Lee Wall recorded his drum track in Austin, Sean Eden tracked the guitars in San Francisco, Justin played the Fender bass in Auckland, New Zealand, and Dean Wareham sang and added guitar in Los Angeles. Britta Phillips sat this one out but does appear in the video. Justin Harwood mixed the song and assembled the video from iPhone footage made by the band members.
Dec 28, 2020
Best of 2020 • Porridge Radio • Sweet
The band’s once-minimal sound—reminiscent, back in 2015, of Frankie Cosmos’ witty Bandcamp-as-diary style—has scaled colossally, transforming into a fever dream that lifts every song. Where 2016’s Rice, Pasta and Other Fillers, recorded in their drummer’s shed, had a dark streak, Every Bad is unabashed sorcery. Margolin’s dusky voice and serrated riffs sometimes recall Polly Jean Harvey, sometimes the attack of early Karen O, but Porridge Radio has devised its own approach to guitar music. The songs balance stoicism with just enough cracked-open ache to feel human. In their quiet-loud dynamics are the exorcisms of a woman who knows that a whisper is often more tormenting than a scream. PF
A gift exchange between a mother and daughter is at the center of “Sweet,” the fourth single from Porridge Radio’s upcoming second album Every Bad. The gift is small—a light-up novelty pen—and the transaction is awkward. “And are you still so depressed?” the mother asks after explaining how the pen works, exercising dominion over a toy if she can’t do the same for her child. Porridge Radio, founded in Brighton in 2015 and helmed by singer-guitarist Dana Margolin, casts the slipperiness of self-formation in stark light, and wavers between pop and punk influences. Their songs are confessional, but without the meandering of a diary entry, made up of focused phrases rather than cluttered explanations.
Best of 2020 • Lou Reed • New York Deluxe Edition
Recorded in late 1988, Lou Reed’s New York album sounded like he’d spent months glued to six TV sets blaring out a cacophony of bad news. Making sense of noise was always his trick and, given that he liked nothing better than turning observation into fast art, Reed managed to juggle references that ricochet from TV trash talkers like Morton Downey, homicidal killer Bernard Goetz, some bloke called Donald Trump, the Virgin Mary and questionable UN leader Kurt ‘just following orders’ Waldheim.
Despite a bewildering set of references, Lou gave it a universal rock’n’roll thrust, reverting to Velvet Underground aesthetics – two guitars, bass and drums, with occasional glimpses of Moe Tucker on percussion. LOUDER
Best of 2020 • Squill • Moon Sessions
Lo-fi infused band adds a distant fragile heart to all of its' tunes. A dark, intimate record that grew from the solitude of the pandemic.
Best of 2020 • Bleep 100 Tracks
Now in its 12th annual instalment, Bleep's 100 Tracks is the definitive guide to the best music of the year, available as a high-quality download.
A true journey of discovery, with the best tracks from our favourite albums, dance bangers, and unsung gems, ready for home listening or as a killer DJ tool.
Dec 24, 2020
Best of 2020 • Paste • 50 Best Songs
In 2020, each of us is a strange combination of shut-in and overexposed, rendering inner peace a luxury few, if any, can afford. So our humble hope is that even one of the songs spotlit below bowls you the hell over, only to bring you right back for more. To be clear, we’re confident they will—of the thousands of new songs we heard in 2020, and the hundreds voted on by the Paste Music team, we painstakingly whittled our list down to the 50 tracks we simply couldn’t live without. These songwriters spun gold out of sadness and loss, fear and yearning, a trip to Japan and the J.F.K. assassination. They overwhelmed us with walls of sound and stunned us with little more than their unadorned voices. They laughed in genre’s face, conjuring up funk, art-pop, Americana, emo, blues-rock, jazz, trip-hop, post-punk and the utterly unclassifiable—often in the space of a single song. Some of these tracks appear on albums we tapped as 2020’s best, and some don’t, but each one is worth every moment you’ll spend with it.
Best of 2020 • Carla J. Easton • Weirdo
Making music described as “glitter bursting from every chorus” and combining “the ominous glimmer of synth-wave with the maximalist fun of Carly Rae Jepsen’s ’80s throwbacks”, Carla J Easton is a pop songwriter with a back catalogue that would make most people envious.
‘WEIRDO’, a defiant pop album written over the course of a year spent sofa-surfing by Scottish artist, Carla J Easton (Teen Canteen), is set to be released on August 28th on Olive Grove Records. Following on from the critically acclaimed ‘Impossible Stuff’, which was shortlisted for Scottish Album of The Year 2019, Easton set to work writing and recording ‘WEIRDO’ with the help of Scott Paterson (Sons and Daughters) in CHVRCHES old basement studio in Glasgow. The pair met and became friends whilst playing in the live band for The Vaselines 2019 tour and began writing together after playing at The Boaty Weekender by Belle and Sebastian – a festival on a cruise ship round the Mediterranean.
Best of 2020 • Exploding Flowers • Stumbling Blocks
Exploding Flowers is a L.A.–based band, comprised of current and former members of Alice Bag Band, Future Shoxxx, Cody ChesnuTT, Lassie Foundation, and Ray Barbee. Exploding Flowers’ unique brew of jangle pop is akin to ’70s-era Chilton/Bell, mid-’80s New Zealand guitar pop, L.A.’s Paisley Underground, and ’90s noise pop blended, mutated and swirled into their own modern-day hook-filled racket.
Best of 2020 • Cut Worms • Nobody Lives Here Anymore
The Brooklyn singer-songwriter belongs to a contemporary lineage of classic-rock devotees; his melodic gifts make this double album, recorded in Memphis, exceptionally warm and inviting. PF
Dec 23, 2020
Best of 2020 • Daði Freyr • Think About Things
Iceland's entry for this year's Eurovision Song Contest had all the right ingredients for a classic of the genre: disco beat, infectious melody, funny video, bespoke dance routine. With this year's competition having been cancelled and it being announced that new songs will be selected for next year, Daði Freyr, frankly, was robbed.
Robert Barry
Dec 22, 2020
Best of 2020 • Kevin Morby • Don't Underestimate Midwest American
“At the time of writing the album, it felt like Katie and I were the only two people on earth—living out in suburban Kansas away from the chaos of our lives on the road and on the coasts and our days became very childlike and innocent: riding bikes, making up games and singing songs,” Morby said in a statement. “When we found ourselves back in a similar environment due to the lockdown, and it came time to make videos, I wanted to depict our lives in solitude from when I wrote the album.” PF
“‘Don’t Underestimate Midwest American Sun’ is my favorite song off of the new album, and the one I’m most proud of,” Morby says. “I consider space to be a prominent instrument on the song — and here it is as important as anything else you hear on the track. It was my goal to capture the vast openness of the middle American landscape sonically. To this end — there is a whole track of nothing but Texas air, birds and wind chimes living beneath the song.” SG
Best of 2020 • Waxahatchee • Saint Cloud
The unsparing indie style of Chan Marshall or Liz Phair remains, but Saint Cloud is something far bigger. It isn’t just talking to Lucinda Williams’ 1998 album Car Wheels on a Gravel Road, it pulls up right beside it, a vivid modern classic of folk and Americana. It’s a record that suggests maybe if you slow down, life slows down with you, and everything is in bloom. PF
Katie Crutchfield, who records music under the name Waxahatchee, released “Saint Cloud,” her fifth solo album, in late March, just as the country went into coronavirus lockdown. In the long months since, the album has become a talisman of the self-isolation era. On the cover, Crutchfield is barefoot, wearing a sky-blue dress, sitting atop a pickup truck the color of butterscotch ice cream, its bed wreathed with red roses. Rooted and easy, the eleven songs, which have earned Crutchfield comparisons to Lucinda Williams and early Dylan, warm listeners with hard-won sunlight and unexpected peace. NYer
Dean Wareham • Live At St Pancras Old Church London December • 2013
Played by Dean Wareham, Britta Phillips, Anthony LaMarca and Jason Quever. Recorded by Joel Cormack on December 5 and 6, 2013. Mixed by Britta Phillips. Mastered by Carim Clasmann. Artwork by Sharon Lock.
Dec 19, 2020
Best 2020 • Advance Base • Live at Home
During quarantine, Owen Ashworth, AKA Advance Base has recorded a live album in his basement, titled ‘Live At Home’. The album contains live renditions spanning AB’s catalog, including standout tracks from 2018’s Animal Companionship.
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