The result is a record that sounds like “a conversation between old Virginia and the buzzy psychedelic world of post-COVID New Orleans”, according to Marsh. The previously recorded five tracks blossomed into eleven, fully fleshed out by a new band that included the rhythm section from fellow New Orleans band Motel Radio (Eric Lloyd and Andrew Pancamo), and notably, Marsh’s younger cousin, guitarist Fraser Wright– himself based in New Orleans and wielding a degree in music industry at Loyola University.
Marsh remembers meeting up with Wright for some Thai food: “You play guitar, right?” Marsh said. Wright nodded over his curry. “Are you any good?” Marsh asked. “Yeah,” Wright replied, with such subtle conviction that Marsh suspected he might be right.
“Turns out, he’s fucking great,” Marsh says plainly.
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