Sunday, March 15, 2020

The Dears • The Worst In Us • 2020


The Dears’ 2003 breakthrough album No Cities Left was a crepuscular, romantic soundtrack to uncertain times. 9/11. War. The looming economic crisis. Nearly two decades later, as Murray Lightburn and Natalia Yanchak began work on Lovers Rock, the world’s mood felt eerily similar

“There’s a direct line between the sort of doominess of No Cities Left and this album,” says Lightburn. “You could go straight from Lovers Rock to No Cities Left and it’s like they're interlocked. But it's a different kind of doom.  Around 2001, it felt like, ‘We have no control. We don't know what's going to happen next.’ Now it’s a doom that's within our grasp. It’s in the air. It’s between us. But we do nothing about it.”

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