“In late August of ’25, a peculiar man known only as THE COUNT began to appear at various locales throughout the New York metropolitan area, drinking heavily and raving about various offscreen women. He was tall, skinny, but muscular in a way that only comes from manual labor, and he wore J. Crew slacks with a wife-beater. If you were in his presence, even if only for a moment, you could feel the power that hid behind his dark eyes, eyes that would stare out at you like deep oceans of hazel and blue, beckoning. He was intensely aware of the presence of every woman within a 2-square-block radius and made a lasting impression on all of them that they didn’t completely understand. He was like a black hole that curved all of space, where the trajectory of every object that passed near him wavered and became blurry. He was the kind of man, in short, that you could stare at for ages, if only he wouldn’t stare back. But the Count always stared back.
Sep 2, 2025
Tiberius • Felt • 2025
Following the more frantic Emo Rock sounds of the "Sag" and "Felt" singles, the rustic warmth of "Moab" sees Tiberius embrace their Country and Folk influences, while still flirting with Pop melodies and an Indie Rock crunch.
Tiberius was originally a solo outing for songwriter Brendan Wright (they/them), with the project growing to a four-piece band upon Wright's relocation to Boston. As demonstrated on "Moab," this expanded lineup produces a catchy and cacophonous sound that blends Indie Punk, Alt Country and Psychedelia with confessional, conversational lyrics.
Named after the city in the sprawling Colorado Plateau desert, "Moab" has long been a live favorite, and now offers our third preview of 'Troubadour,' a unique, genre-bending LP that's bursting with ideas and ambition. Alt Country-esque songs like "Moab" meet the Midwest Emo of "Sag," the meathead Shoegaze Rock of "Redwood," the Psych-ballad sound of "Barn," and the downtempo ache of October 10th's "Painting of a Tree" single.
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