Will Schwartz spent more than a decade writing fiction before The Male Pattern brought him back to music. On If It Be Your Will, we talk about I Was Shot in the Heart! — a darkly funny, deeply human concept album about a bitter suburban dad who sees himself as the hero of his own tragedy. Will talks about growing up with music and writing, fatherhood, rediscovering the joy of making things simply because you want to, and why hiding behind a fictional character can sometimes reveal more truth than writing about yourself.
"I am absolutely head over heels in love with this record. It absolutely made my day. The lyrics, the narrative structure: it’s some Randy Newman-level shit. Just brilliant stuff all around." - Chris Ingalls (PopMatters)
“The Male Pattern (aka Will Schwartz) explores the darker side of straight white male consciousness in his upcoming concept album I Was Shot in the Heart! (out September 25.) Schwartz's ice-cold character sketch on "I'm a Solider" exposes the self-pitying paranoia behind the conservative mind, all while skewering country music tropes.” – Rainbow Rodeo
"We’re not certain a satirical concept album described as “Springsteen meets Ween” was on our bingo card of releases in 2026, but sometimes you only realise you’ve been waiting for something when it finally arrives...The undeniable irony and playfulness do nothing to undermine the heartbreaking loneliness running through its heart. An anthem of America in 2026, where vapidity, ridiculousness and mean-spirited self-interest feel like symptoms of some dark, cursed pathology lurking beneath the surface."
– Various Small Flames
Jacob Brodovsky joins If It Be Your Will to talk about Tell the Kids We Tried, the strange business of making art, and the increasingly ambitious project of keeping it together. We get into songwriting, fatherhood, community, climate dread, and why Canadian indie music seems uniquely qualified to make existential crises sound charming. There’s melancholy, wit, guitars, and just enough optimism to keep the whole thing from collapsing. A smart, funny conversation with one of Canada’s quietly great songwriters—and proof that “we tried” can be both a shrug and a pretty decent philosophy.
Amelia Day is a musical jack-of-all-trades. Standing at the intersection of folk, rock, and pop, Day blends heartfelt storytelling, raw delivery, and unforgettable melodies into music that feels both fresh and familiar — like rediscovering an old favorite. A self-described writer before anything else, her perceptive lyricism extends far beyond her 23 years, with lines reminiscent of songwriting greats like Joni Mitchell and Paul Simon. As the Spokesman-Review notes, Day has a signature style that features “wordplay, double-meanings and rhythmic variations,” with themes ranging from journeying into adulthood to climate change. Many of Day’s songs are also shaped by her intimate relationships, where her queerness and candor take center stage.
“When I moved to Montreal as a young student with my first guitar, being in the orbit of the loft parties and folk houses is where I first heard Martha and her distinct, powerful and now iconic voice,” says Amy. “Grateful to call her a dear friend, I always wanted to find a way for us to sing together. This Canadian gem of a song by the great Jane Siberry (originally sung with k.d lang) was the perfect beginning for us to get this gentle chance to convene with angels.” EyoQBlfpYeJ
