The violin that her conductor father gave her when she was five was too shrill ("I thought it sounded like a whiny cat… especially if you kind of suck"); she wanted a viola or cello instead. Her favorite music as a teenager followed a similar pattern: the gloom of the first few Cat Power records, the cassette hiss and dark humor of Liz Phair's self-recorded Girlysound tapes. These were the albums that inspired her to create her own brooding, decidedly unpolished bedroom recordings. "I was sending around demos which I thought were a finished product," she laughs. "Some of my friends were like, 'Maybe you should try to record these in a studio.'" pitch
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ReplyDeleteWow, what a great discovery - she has something special. Clever songwriter, too. Thanks.
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