When does a musical project truly end? Scott Garred of Super XX Man thought he had written the final chapter when he crafted an obituary for his 30-year-old band. Yet somehow, what began as a nostalgic blog post excavating old flyers and cassettes transformed into an unexpected resurrection.
The creative spark reignited when longtime collaborator Allie Wesley reached out after seeing Scott's posts. "It'd be so fun to do something together again," she wrote, not knowing those words would breathe new life into a project Scott had considered complete. That simple connection opened the floodgates to what Scott describes as "the community that was Super XX Man." Soon, songs that had been sitting in limbo found their way to Portland producer Adam Seltzer, forming the foundation of "Rusted Hues" - the first Super XX Man album in a decade.
Throughout our conversation, Scott shares fascinating insights into his creative process, describing how he immerses himself in music daily as both a music therapist and a perpetual student of the craft. "I play music every day," he explains, detailing how creativity generates more creativity once he begins recording. We journey back to his formative musical moments, from the friend who taught him two simple guitar chords that "changed my musical life right then and there" to his first experiences with home recording on a four-track that made songwriting feel accessible.
Most movingly, Scott reflects on what performing means after three decades of making music. "I don't think it's bravery," he says about sharing deeply personal songs. "It's a privilege to be able to go play a show and stand in front of one person, two people, a thousand people." Whether playing in a church basement in Wisconsin or to hundreds in Japan, the feeling remains the same: "When I'm really singing, and it's resonating in my own heart - there's nothing like it." Join us for this intimate look at musical resurrection, creative persistence, and finding renewed purpose in artistic community.
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