Sep 2, 2025

FROG • BITTEN BY MY LOVE VAR. XI • 2025





“In late August of ’25, a peculiar man known only as THE COUNT began to appear at various locales throughout the New York metropolitan area, drinking heavily and raving about various offscreen women. He was tall, skinny, but muscular in a way that only comes from manual labor, and he wore J. Crew slacks with a wife-beater. If you were in his presence, even if only for a moment, you could feel the power that hid behind his dark eyes, eyes that would stare out at you like deep oceans of hazel and blue, beckoning. He was intensely aware of the presence of every woman within a 2-square-block radius and made a lasting impression on all of them that they didn’t completely understand. He was like a black hole that curved all of space, where the trajectory of every object that passed near him wavered and became blurry. He was the kind of man, in short, that you could stare at for ages, if only he wouldn’t stare back. But the Count always stared back.

Tiberius • Felt • 2025





Following the more frantic Emo Rock sounds of the "Sag" and "Felt" singles, the rustic warmth of "Moab" sees Tiberius embrace their Country and Folk influences, while still flirting with Pop melodies and an Indie Rock crunch. 
 
Tiberius was originally a solo outing for songwriter Brendan Wright (they/them), with the project growing to a four-piece band upon Wright's relocation to Boston. As demonstrated on "Moab," this expanded lineup produces a catchy and cacophonous sound that blends Indie Punk, Alt Country and Psychedelia with confessional, conversational lyrics.
 
Named after the city in the sprawling Colorado Plateau desert, "Moab" has long been a live favorite, and now offers our third preview of 'Troubadour,' a unique, genre-bending LP that's bursting with ideas and ambition. Alt Country-esque songs like "Moab" meet the Midwest Emo of "Sag," the meathead Shoegaze Rock of "Redwood," the Psych-ballad sound of "Barn," and the downtempo ache of October 10th's "Painting of a Tree" single.

Aug 29, 2025

Good Good Blood • Little Sparrow • 2025


Written in the throws of grief, "Little Sparrow" is an album of questions, of wondering, of wanting, of asking “will we make it through?”

A line in the sand, leaving behind a monolith of pain and sadness, this record charts a journey from shock and disbelief through to acceptance and, although uncertain, hope for the future.

Featuring re-worked versions of previously released 'Flowers Bloom' and 'Forever Scars', each song was initially recorded at home, sparse arrangements of just acoustic guitar and vocals.

After encouragement from family and friends to flesh out these embryonic versions, an opportunity arose to work on the songs with Paul Brown in his West Yorkshire studio.

Paul's ear, knowledge and expertise proved invaluable in fleshing out the songs, bringing a fuller, more vibrant sound to the production. Taking them from solitude and isolation into a blossoming world of shared experience, hope, love and joy.

Aug 23, 2025

The Planet Smashers • Wasted Tomorrows • 2025


On the Dancefloor was crafted with the band’s famously chaotic live show in mind. From the swaggering brass of lead single “Meet Me On The Dancefloor” to the walking bass groove and cheeky hooks of follow-up “Things You Do,” the album captures the raw joy and connection that has defined The Planet Smashers since day one. Songs come fast and tight, laced with self-deprecating humour, a healthy dose of cynicism, and a whole lot of heart. Whether it’s love, loss, burnout, or late-night release, the record taps into the emotional fuel that keeps people coming back to ska punk, decade after decade.



Case Oats • Bitter Root Lake • 2025





The debut album by Case Oats is a remarkably assured record, the band—Spencer Tweedy (drums), Max Subar (guitar, pedal steel), Jason Ashworth (bass), Scott Daniel (fiddle), and Nolan Chin (piano, organ)—gelling around Casey Gomez Walker’s voice and guitar. Last Missouri Exit is a collection of sharply drawn character studies, Gomez Walker’s background in creative writing expressing itself in wry observation and a disarmingly easy sense of the lyric, the profound and profane tumbling out of songs like “Bitter Root Lake” with the weight of a confessional poem and the ease of a conversation between friends.

Aug 22, 2025

The Boojums • Wings of Fire • 2025


Formed in late 2024 and known for uploading fuzzed-out live VHS tapes to Reddit, Instagram and YouTube, The Boojums have quickly built a reputation for their refreshingly raw and unfiltered sound—equal parts nostalgic and forward-looking. Recorded live off the floor, their debut album channels themes of small-town escape, personal reckoning, and full-throttle freedom.

“‘Wings of Fire’ is about chasing something bigger before it disappears in the rearview,” says guitarist and vocalist Willie Stratton. “It’s that feeling when you’re flying down the highway—gold on your engine, nothing but dreams in the tank, and someone you love in the passenger seat.”



Aug 20, 2025

Oh, Rose • For Art • 2025


Exploring themes of long-term commitment and partnership—both in romantic and platonic relationships, as well as to artistic practice itself—the six tracks on 'For Art' navigate the complexities of closeness. Wading through feelings of disillusionment, the album is ultimately a hopeful work, one of recommitment and perseverance.

meg elsier • spittake dress rehearsal • 2025



“Why can’t a rock show be theatre? Why can’t it be camp? Why can’t it live somewhere not based in reality, while still being raw?” says meg. “I’ve pretended to perform in my living room with a remote as a mic, and on stage, I feel like I’m back in that safe space where I can rage without nerves. That’s what I wanted to capture."

spittake dress rehearsal arrives on the heels of spittake (deluxe), the expanded edition of meg’s acclaimed debut album. The 17-track project features unreleased demos, raw live recordings, and intimate B-sides, offering a deeper dive into the emotional and creative core of the original record.

One of indie rock’s most exciting new voices, meg elsier pairs sweet, airy vocals and lush melodies with grungy guitars and weighty production. Since making her debut in 2024, meg has earned praise from tastemakers like DIY Magazine, Ones To Watch, DORK, and CLASH for her unflinching storytelling and distinctive, genre-blurring sound

Cuddle Magic • Hundred Million • 2025

Underwater by Cuddle Magic


In an intimate recording studio in Los Angeles, I sit in a packed room as Cuddle Magic plays their new songs for a willing crowd, the band clustered in the center of the room, puzzle piecing together, pump organ into bass clarinet, tiny synthesizer resting on organ, a single drum. Kristin Slipp sings. Ben Lazar Davis sings. Alec Spiegelman sings. Christopher MacDonald sings. Dave Flaherty sings. Beautifully. You're never sure what sound is going to come from who, the bass clarinet plays what a bass guitar would normally play, the pump organ drones what might normally be a string quartet, a willing suspension of disbelief dominoes throughout the room. Soon enough, the notion of "normal" is in the rearview, and we're quicksand in the hourglass of the band, chasing them from song to song, feeling to feeling, willing participants in Cuddle Magic's worldbuilding.

Aug 19, 2025

Blondshell • Full Performance (Live on KEXP) • 2025



Jeff Tweedy • "Feel Free" (Twilight Override) • 2025




Jeff Tweedy is set to release the forthcoming triple album, Twilight Override, on September 26th via dBpm Records, and tour extensively across North America and Europe this fall. Today, he releases the new single and one of many album standouts, “Feel Free,” alongside a performance video directed by Lance Bangs. On this acoustic, breezy, meditation on self-expression, belonging, and being present, Tweedy sings: “Feel free // Taking it slow and easy // Even though your heart is racing // Feel free.”
 
The freedom I'm talking about in this song comes in both small doses and large doses. It arrives at me, at the most free I feel in my life. Which is making a record with my friends and singing a song that I feel like is a part of the past, present and future. — Jeff Tweedy

Aug 18, 2025

Avery Lynch • Sweetheart • 2025




“The ‘Glad We Met’ EP is my favorite project I’ve ever made,” says Avery. “Each song follows the beginning of the love story I’ve been living for over five years now. Some songs are about heartbreak and moving on, and others are about falling in love again. It all comes together with the title track ‘I’m Glad We Met,’ which tells the story of meeting my significant other, where we’ve gone, and where we are now.”

Aug 14, 2025

Trace Mountains • "The Dark Don't Hide It (Magnolia Electric Co.)” • 2025





Dave Benton of Trace Mountain discussed their cover, saying:

"I first heard about Songs: Ohia and Magnolia Electric Co. when I was trying to find a label to put out my 2020 record Lost in the Country. An A&R I was chatting with said my songs reminded them of Jason's and it prompted a dive into his catalogue that turned into a minor obsession with certain songs. The label conversation eventually fizzled out, but I was still glad to have discovered all Jason Molina's wonderful music. 'The Dark Don't Hide It' was always my favourite song of his, so when I was asked to contribute to this compilation I thought a piano-forward arrangement of the song might be kind of nice. So that's what we did! Thanks for listening."

Aug 13, 2025

Octoberman • "Harry Nilsson” • 2025




Described by Pitchfork as “Stephen Malkmus at his loosest” and by Uncut as “a sunnier Elliott Smith or Sparklehorse,” Octoberman has built a cult following across Canada and abroad. Over the years, they’ve earned placements on shows like Grey’s Anatomy, toured internationally with artists like Julie Doiron and Mount Eerie, and quietly evolved into one of the country’s most quietly enduring folk-rock collectives. Chutes may be their most reflective record yet—but like the best of their catalog, it never stops moving forward.


RYAN DAVIS & the Roadhouse Band • "New Threats from the Soul” • 2025





The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe, just not for us. New Threats… suggests that maybe, just maybe, something like redemption is possible, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. toughlove

Aug 12, 2025

villagerrr • Ride Or Die w/ Lydia • 2025




As villagerrr, Mark Allen Scott’s patient songs are mesmerizing and unmistakably Midwestern. Today we’re excited to announce the Winspear reissue of his 2024 record, Tear Your Heart Out, which will be available for on vinyl for the first time on October 10, alongside a Digital Deluxe Edition of the LP featuring five previously unreleased recordings. It’s a record for long drives dappled with sunlight and small-town get-togethers, chalk-full of home-recorded songs of tasteful indie rock with understated twang. To mark the announce, villagerrr shares “Ride or Die,” a duet with Lydia Slocum of feeble little horse...

Merce Lemon • Full Performance (Live on KEXP) • 2025

Merce Lemon - Sunflower (Live on KEXP)


Marissa Nadler • Light Years • 2025




On New Radiations, Nadler’s tenth official full length record, she returns with a raw, intimate, and breathtaking collection of eleven otherworldly songs. From the first note, her lush voice and intricate fingerpicking are front and center. She layers Everly Brothers–style harmonies over dreamlike, lonesome soundscapes— fuzzed-out distortion, Hammond organ, and ominous synthesizers—that elevate her warm vulnerability with texture and atmosphere.

Produced by Nadler herself, the album was recorded in Nashville, both at Haptown Studios with the help of friend Roger Moutenot, and her home studio. Mixed by Randall Dunn (Earth, Sunn O))), New Radiations features subtle, immersive arrangements from longtime collaborator Milky Burgesswoozyslide guitar, hypnagogic synthesizers, and gritty riffs that ebb and flow with oceanic intensity. New Radiations presents a more introspective and personal vision. Genre‑bending yet quintessentially her own, the album freezes the world’s noise in a moment of beauty and solemnity. New Radiations is not just another album—it’s a career highlight, a testament to Marissa Nadler’s singular vision and artistry.

Aug 11, 2025

Golden Apples • Mind • 2025



Mid-century folk rock meets Stereolab and Yo La Tengo on this sprawling record of bedroom psychedelic from [Golden Apples].” - Bandcamp

"[‘Noonday Demon’] chugs to life like a flickering television, with gritty guitars beefing up the textured soundscape.” - Paste

"[‘Noonday Demon’ is] a shimmering track that blurs the line between ’90s shoegaze and ’60s psychedelia.” - Brooklyn Vegan

Winter • Hide-A-Lullaby (feat. Tanukichan) • 2025


Winter returns with “Hide-A-Lullaby,” a smoldering, gazey track featuring dream-pop artist Tanukichan, with whom she trades hushed lines. The dreamy new short film/music video directed by David Milan Kelly features the band performing at the LA river and narrative sections inspired by the album's fictional story of an indie rock romance set during a lost L.A. summer. The second half features documentary interviews with Winter and visual artists from her community discussing their process and inspiration.

Aug 6, 2025

Bec Lauder and The Noise • Nobody Cares • 2025



Bec Lauder and the Noise is a three-piece rock band born in the East Village of Manhattan. Frontwoman Bec Lauder alternates between guitar and bass while delivering sultry, siren-like vocals. She’s joined by lead guitarist Soph Shreds, whose dynamic and groove-driven guitar and bass lines add depth and intensity to the band’s sound. On drums is Maggie Bishop, the heartbeat of the group, known for her masterful blend of breakbeats and classic rock rhythms. Maggie also contributes powerful vocal harmonies that elevate Bec’s lead vocals.

Instagram

Clover County • Good Game • 2025




“‘Good Game’ was inspired by a D-3 college athlete with a god complex — someone my friends and family couldn’t stand, and honestly, neither could I by the end,” shares Clover. “I was deep in his insecure manipulations for way too long, and breaking free felt like winning a championship. I didn’t want to give him the satisfaction of a breakup song, especially since, right after we split, everything started falling into place for me…while he moved back into his parents’ basement. So I leaned into a ‘bless your heart’ kind of energy – wishing him well, because Lord knows he’ll need it.” 

Aug 5, 2025

Westside Cowboy • Drunk Surfer • 2025




“Thrilling - marked by a mood of ramshackle invention at odds with the studied, polished air of a lot of current alt-rock.” — The Guardian

“Come for the urgent, wistful guitars, and stay for the heart-wrenching harmonies.”
— Stereogum

“Rapidly climbing the rungs and notching up the wins, Westside Cowboy are the buzzy Britainicana newcomers determined to let down the ladder behind them.”— DIY

“One of the new acts heralding a gloriously ramshackle new era of ’90s-styled slacker rock.”
— NME

ifitbeyourwill Podcast Season 6…


Season 6 is on the way in the Fall… until then, catch up on some amazing casts with our featured indie musicians and bands from the past couple years… 


If you’d like to submit your music for the blog or join me on a cast, send me a line!



Aug 4, 2025

Tiberius • "Sag” • 2025


“Sag is about this dreaded ‘Allston to Bushwick’ pipeline we have in Boston. A lot of musicians end up using Boston to cut their teeth before heading off to New York or LA to pursue their music careers. I wrote ‘Sag’ when I was really playing the ‘comparison game’ in my head and asking myself what role I wanted music to play in my life. It was the first in a batch about looking at yourself in relation to the others around you and trying to decipher who you are without that context.“ – Brendan Wright (they/them)



The Beths • "Mother, Pray For Me” • 2025

The Beths Share Single & Video 'Mother, Pray For Me' - Music News at  Undertheradar

Emily Yacina • Talk Me Down • 2025



"Meshing confessional songwriting with effervescent beats, 'Talk Me Down' strikes the right balance with its earnest lyrics and playful sound." - Paste, check out the exclusive here

“[Emily Yacina] effortlessly capture[s] a feeling or a mood that the English language can't.”
The FADER

“Yacina[‘s music] carries the intensity of emotion and poignant vulnerability.”
Document Journal

Jul 31, 2025

Alexei Shishkin • Good Times • 2025




“[The] carefree word-play recalls Stephen Malkmus' imperial run, or even Ty Segall's more lucid, sedate moments.” 
– CLASH MUSIC

Jul 24, 2025

Samia • Tiny Desk Concert • 2023



Stephen Thompson | November 8, 2023

There's plenty of curious timing in Samia's Tiny Desk debut. For starters, this was the final Tiny Desk concert produced by Bob Boilen — he came in for one last Monday to accommodate the performance — which meant the singer-songwriter had to endure the reluctant tributes paid to Bob as she waited patiently to perform. Then there's the timing of Samia's song selection: All five of these tracks appeared on her terrific debut album (2020's The Baby) and not this year's equally magnificent Honey. Which is saying nothing of the fact that Samia is actress Kathy Najimy's daughter, yet we opted to run this performance a full week after the conclusion of Hocus Pocus Season! What were we thinking?

Fortunately, Samia's set nevertheless provides a stunning showcase for her charisma, vocal talent and deftly detailed lyricism. She possesses a remarkable knack for specificity in her songwriting, which finds her name-dropping her favorite bands, recounting conversations in devastating detail and even shining a light on songwriting itself. ("I only write songs about things that I'm scared of," she sings in "Is There Something in the Movies?" before adding, "So here, now you're deathless in art.")

Taking advantage of the Tiny Desk's quietude, Samia and her band chose to focus on the more subdued side of their sound, even deploying the sample of her grandmother that opens "Pool." As a result, it's easier and more rewarding than ever to hang on her every word.

SET LIST
"Is There Something in the Movies?"
"Big Wheel"
"Winnebago" 
"Triptych"
"Pool"

Jul 23, 2025

Teethe • Push You Forever • 2025




Today Teethe share “Push You Forever,” the final single from their lush new record Magic Of The Sale. On the new track, pedal steel sighs beneath honeyed vocals and drifting drums; it’s a hangdog hymn about being caught in the illusions we create about our past and present. The track arrives with an equally beautiful animated video by Rosa Sawyers. The full record arrives on August 8th and is now available to pre-order on Purple Dusk vinyl, cassette tape, and CD.

Ada Lea • midnight magic • 2025




 Ada Lea—the moniker of Montreal-based musician Alexandra Levy— releases “midnight magic,” the third single/video from her new album, when i paint my masterpiece, out August 8th via Saddle Creek. Following last month’s meditation on love, “something in the wind,” “midnight magic” is set firmly in a shimmering dreamworld that could have been summoned by Judee Sill.

NYXY NYX • in haze • 2025




“Slow, tender, and airy… staggeringly good.”
- STEREOGUM

“Mind-melting”
- SPIN 

“Nyxy Nyx’s music strikes on a personal level few artists hit.”
- POST-TRASH

“Dense and richly textured, but with a sense of weightlessness in its use of open space and shimmering guitar tones… Nyxy Nyx are it; let these songs get under your skin.”
- TREBLE ZINE

“Haunting beauty and lo-fi, sonic palette is coupled with sometimes heartachingly beautiful lyrics.”
- NEW NOISE MAGAZINE 

Shallowater • God’s Gonna Give You A Million Dollars • 2025


The first single is “Highway,” and it’s a nearly-six-minute trek through climactic slowcore, twangy slide guitar, and an explosive wall-of-sound grunge coda that shares DNA with anything from Codeine to Songs: Ohia to MJ Lenderman to Dinosaur Jr. - Brooklyn Vegan

“Highway” is sweeping and melodramatic, deploying a healthy amount of pedal steel over a slowcore chug that gradually builds into a full-on electric guitar cacophony. -  Stereogum

It’s a sublime mix of slowcore, post-rock, alt-country, ’90s alt-rock and emo that deftly pivots styles, often within one song, making it all seem natural and clearly coming from one creative point of view. We hear Neil Young, Sunny Day Real Estate, Acetone, Hum, Red House Painters & more. - Brooklyn Vegan

Self-identified “raw West Texas dirtgaze” band Shallowater make nods to first generation slowcore and post-everything guitar rock on There Is A Well, a solid-stone debut that extracts the twang and dramatic vastness of their home terrain. - New Commute



Jul 16, 2025

Whitney • Dandelions • 2025




Today, Whitney have announced their new album, Small Talk will be released November 7th on AWAL. Small Talk is the Chicago duo’s fourth and unequivocally best and most affecting album. To mark the occasion, they’ve released a new single, “Dandelions,” a mid-summer sparkler with lead-singer Julien Ehrlich’s lamenting falsetto scaffolded by horns, sweeping string arrangements and plaintive slide guitar from Max Kakacek. The single follows album track “Darling,” released at the top of the summer and hinting at their return. Now fans can listen to their new song “Dandelions” HERE and pre-order Small Talk HERE.

White Lies • In The Middle • 2025



White Lies approached their seventh album, Night Light, with a fresh method: mastering the songs live before recording them. Inspired by the 1970s live-performance TV show The Midnight Special, the trio decided to rehearse and refine the tracks together in a room before entering the studio – a reversal of the process of finding the true spirit of songs only after touring them.


Living Hour • Wheel • 2025



Winnipeg indie rock heavyweights Living Hour are back with their fourth full-length album, Internal Drone Infinity set for October 17 via newly signing with Paper Bag Records in Canada and via Keeled Scales + Beloved Records in the rest of the world. Known for their lush fusion of dream-pop and shoegaze, on Internal Drone Infinity, Living Hour transforms the passage of time into something both urgent and sacred. Anchored by Sam Sarty’s vivid lyricism, shaped by years as a projectionist conjuring stories in a dark theatre, the band explores the quiet magic hidden in everyday life. Their fourth album drifts between dreamy noise rock, folky slowcore, and fuzzy indie-pop, coining a genre all their own: “yearn-core.” With wistful vocals, textural distortion,and poetic detail, Living Hour capture the ache of memory, the mess of feeling, and the beauty in what remains. PRE-ORDER/PRE-SAVE the record HERE.