Showing posts with label Nap eyes. Show all posts
Showing posts with label Nap eyes. Show all posts

Dec 21, 2024

best of 2024 • Nap Eyes • Passageway



I had the last verse of this song written for a long time, along with a bunch of earlier verses that I didn’t like as much that I eventually discarded. One quiet day when I was not doing too much of anything, I started to come up with the lyrics of the earlier verses — just in my head without an instrument or speaking them out loud, which is unusual for me. So the song was generated by this out-of-the-ordinary writing method, but I think this resulted in a song that is pretty different from anything else I’ve written to date. 




These songs are poetic, and not just because the words are poems. Their poetry lies in the music itself: Chapman’s reserved but powerful delivery, their lulling, hypnotic repetitions, the avian chorus of squawking guitars and chirping synths. This marriage of words and music captures something ineffable that lies between thought and expression (to borrow a phrase from Lou Reed), and with it, Nap Eyes have produced a beautiful, literary, aspirational, and inspiring work. post-trash

On the parade ground across the great divide
I saw 1000 candles flickering
And through a peasant’s eyes I saw a green-clad man
Ringing blue bells of offering
Beside him, astride, in neon fuchsia robes
And more beautiful than anything
A woman the sight of whom changed his mind
In a permanent way
Well, as for me, I rode the three miles north
Back to old York town
And lodged my horse in a stable there
Before walking to the castle grounds
Strange to make a parade so far away
Where there were so few others around
But I let the thought drop from my head
And that night my sleep was sound
When I awoke, I knew not the hour
But it seemed all the people had fled
I returned to my room and where the mirror had been
I found a blue doorway instead
Bracing myself against a bone-chilling wind
I wrapped my scarf around my head
And entered down a rainbow crystal pathway
Strangely compelled to follow where it led

Well, ever since then I’ve been in this gem-sea land
Where the night is as warm as the day
People talk on phones and they drive down roads
To places many miles away
As for me, I remain by my edge-of-town home
Watching the ocean’s peaceful sway
I’ve been drifting in and out of a mysterious dream
Of that old-time passageway
Is this what I get for listening to “Iris”
At nine o’clock on a Monday morning
In the shadow of the foreboding sculpture
In the diamond circular saw ring?
Far away, the dawn-bright dew
On some blue fields sparkling
In the deep mind, in the well,
In the heart of things

Nov 29, 2024

ifitbeyourwill S04E20 • Nigel Chapman of Nap Eyes



Nigel Chapman, the creative force behind the band Nap Eyes, unveils the captivating story of his musical evolution, from his early days with The Mighty Northumberland to the latest album "The Neon Gate." Broadcasting from the picturesque landscapes of Nova Scotia, Nigel candidly discusses his transition from science to music and the vibrant, albeit challenging, Halifax music scene. His reflections on collaborating with bandmate Brad and friend/producer Mike, along with the profound influence of iconic bands such as the Pixies, provide a fascinating glimpse into the unique blend of analytical and artistic elements that define his songwriting journey.

Ever wondered how a silent meditation retreat can unlock new realms of creativity? Nigel shares his transformative experience at a Goenka-style Vipassana retreat, revealing how the discipline and focus of mindfulness unexpectedly fueled his songwriting process. With nothing but gum wrappers to capture ideas, he navigated the challenges of an incomplete song and emerged with fresh verses that redefined the piece. This story highlights the powerful intersection of mindfulness and creativity, offering fresh perspectives on how unconventional environments can inspire artistic breakthroughs.

Excitement fills the air as Nigel shares insights into the collaborative creation and release of "The Neon Gate," reflecting on the emotional rollercoaster of sharing new music after years of uncertainty. The joy of receiving positive fan feedback and the anticipation of upcoming live performances, including a show with MJ Lenderman in Brooklyn, are brought to life through Nigel's vibrant storytelling. As we explore themes of magical realism and musical appreciation, we encourage listeners to support artists by purchasing records, fuelling the shared joy and connection that music brings to both creators and fans.








Nap Eyes' fifth album unfurls like the daydreams of a stoned academic: philosophical phantasmagoria mesh with references to Wave Race 64 and the Goo Goo Dolls' best song. But what could be a chaotic jumble instead feels clear-eyed, nimble and witty — the Halifax quartet's relaxed confidence and dexterous instrumentation let The Neon Gate's songs transform and enhance their subject matter, however heady it may be. What other band would attempt to set a W.B. Yeats poem to an indie rock groove, let alone manage to make it work? Paul Blinov