Bodywash • "Come and Go” • 2026

The duo produced the record over the course of a year at Autoland Audio in Montreal’s Parc-Ex neighbourhood, where they’d previously worked on their debut LP, 2019’s Comforter, and brought in Asher Gould-Murtagh for mixing duties (Shirley Hurt, Mother Tongues). The new LP inherits a palette of shoegaze and dream pop that’s been present since the beginning of Bodywash, but it also rhymes with a scrappier 90s indie rock sensibility in tone and point of view: you can hear it in the squall that ends “Widows’ Peak,” in the chiming guitar refrain motoring “Come and Go,” and in the down-tuned strum under “Pinup.” Laughing at Noise dials up the distortion and plugs into a genealogy of artists like Elliott Smith and Kim Gordon who chronicle modernity’s malaise. killbeat