ifitbeyourwill S06E10 • Thanks Light...

A sunlit hook can feel like a hand on your shoulder. That’s the energy we chase with Zane Ruttenberg of Thanks Light, as we unpack how Good Timing blends tropical psych shimmer, country ease, and harmony-rich craftsmanship into a record that invites you to stay for the whole side. Zane takes us from his backseat education with The Byrds and the Beach Boys to a lifelong obsession with layered vocals and melodies that last, sharing the human moments that seed lyrics—like a rough morning that turned into a song-worthy phrase.

We get inside the engine room of collaboration. Zane’s ear-trained, punk-spirited songwriting meets the classical rigour of longtime partner Michael Frels, creating friction that sharpens ideas without killing their spark. That push and pull shows up in arrangements that know what to protect—a defining riff, a hooky bassline—and what to open up for play. Along the way, we talk rotating lineups, shared fingerprints on records, and the quiet, unglamorous truth of trusting people after long van rides and late nights. It’s a portrait of a project that feels more like an art collective than a fixed band, yet still manages to sound unmistakably like Thanks Light.

Then we zoom in on Good Timing itself: the faux radio stinger that frames the album’s world, the exotica nods on the nine-minute closer, and the sequencing that makes each song feel necessary. Zane name-checks influences from Martin Denny and Jimmy Buffett to Granddaddy and Texas country pillars, weaving them into a sound that’s escapist without being empty. Finally, he teases what’s next—two albums tracked in parallel, one bright and breezy, the other tender and blue—both shaped to feel cohesive from first note to last.

If you love harmony-rich indie, tropical psych colours, and songs built to last, hit play, follow the show, and leave a review to tell us which moment stuck with you most. Your notes guide future conversations and help more listeners find the music.

https://www.thankslight.com/