Emma Danner from Red Ribbon invites you to an inspiring journey through her musical universe. Ever wondered how isolation can spur creativity and how a city like Los Angeles can offer both loneliness and limitless potential? Emma unpacks her unique experiences, including the move to LA fueled by her passion for music, and the role mentors like Loretta Taylor played in her early development. She recounts her musical beginnings, from the innocence of childhood piano lessons to the vibrant streets of San Francisco where she busked while studying classical violin. Her story embodies resilience, shaped by the challenges and triumphs of navigating the music industry during the pandemic.
Peek into the world of music production as Emma reveals what it takes to compose her self-titled album, set to grace your playlist on November 1st. She shares the emotional transformation of grief into art through her debut record "Freaks Only," and the vibrant collaboration with notable producer Randall Dunn, blending genres in unexpected ways. The episode captures the essence of being an independent artist—juggling studio deadlines, self-booked tours, and service industry jobs, all while remaining agile and open to spontaneous opportunities. Emma's narrative is a testament to passion, creativity, and the relentless pursuit of one's craft amidst an ever-changing landscape.
Emma Danner’s fourth record as Red Ribbon serves as a kind of re-introduction. It’s her first release since moving from Seattle to Los Angeles, and her first made alongside the legendary producer Rob Schnapf (Elliott Smith, Cat Power). Red Ribbon is also Danner’s most unflinching record to date—her most blunt, her least sweet. Candid, brutal, and beautiful, the album channels unapologetic songwriters like Chan Marshall and PJ Harvey. “I’ve always censored myself, but on Red Ribbon, I let myself be more free,” Danner says. “This record feels visceral.” Red Ribbon is gutsy: a study in sex and heartache, it’s an irresistible document of liberation and vulnerability. Dangercollective
No comments:
Post a Comment