What I’ve learned over the last several years of making records is that the recordings benefit from inviting other people in. I’ve recorded several albums basically entirely by myself and I can’t imagine doing that again. Memory’s Fool is the record where I consciously embraced opening up the process and deliberately left space for other peoples’ contributions and presence. It’s the first record where I didn’t feel like I had to predetermine every aspect of the recordings, which is how I operated previously. Now I don’t want to know exactly how it’s going to turn out. The other thing is that inviting contributors allows for a different palette of instruments that I can’t play, like strings and horns. The recordings I’m working on right now for the next record lean even further into this zone and it feels really good. foxy
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