Showing posts with label indie rock. Show all posts
Showing posts with label indie rock. Show all posts

Oct 27, 2026

ifitbeyourwill Podcast #208 • WHY?


With WHY?’s new album, Oh Golly / Yes Lord, on the horizon, Yoni Wolf reflects on decades of making music that refuses to sit still. Moving between alternative hip-hop, indie rock, sampling, and richly layered arrangements, WHY? has built a catalogue that rewards listening to the whole record, not just the individual song.

Yoni talks about the long, sometimes uncertain process of making an album: four-track experiments, finding a record’s shape, sequencing songs, and working with collaborators who help bring ideas to life. We get into the self-doubt that follows a finished record into the world, why positive feedback doesn’t always quiet the inner critic, and the moments when music connects with someone who needs it.

It’s an honest conversation about songwriting as a way of documenting a life, making peace with uncertainty, and carrying on regardless.




Oct 20, 2026

ifitbeyourwill Podcast #207 • Heavy Gus


Formed in California’s high desert, Heavy Gus make fuzzy, grunge-soaked indie rock that balances scruffy guitar noise with unexpected flashes of melody, humor, and tenderness. On their forthcoming second album, the trio revisit the loose, live-wire approach of Notions, but life has changed: Dorota Szuta and Stelth Ulvang are now navigating parenthood alongside the creative intimacy of being partners and bandmates. New singles “Super Soaker” and “Past Lives” reveal two sides of that tension, one sticky, volatile, and loud, the other reflective and bittersweet. Heavy Gus leave the contradictions intact.


Oct 8, 2026

Wayfinding • A Nest of Wrens • 2026




The title of the new record refers to a poem by Michael Hartnett which explores the abiding power of our most profound early creative or aesthetic connections; those signal inspirations which tell us, in a language we don’t yet understand, who we want to be and what that might ask of us. We carry these experiences with us as memory, but our memory changes shape along with the other parts of our identity as we proceed towards and through adulthood. Their significance is muted as they take their place as but one of many memories. The creative person remains awake to the truth and importance of those early realizations by seeking out new ways of expressing and building, by reckoning with the present by questioning memory, and filling the parts of themself that time has emptied out with new community and shared purpose.

These things are rendered by the songs on A Nest of Wrens as a whirling, roaring autumn stormcloud of richly textured guitar interplay shot through with startling melodic flashes and flickering synthesizers, supported by a sturdy and heartening rhythm which both establishes a horizon to be moved towards, and promises calm at the centre. The sounds of the welcoming of a new friend, the departure of a sibling, an enduring alliance.

Oct 6, 2026

ifitbeyourwill Podcast #204 • Reveal Party


On Prettiest Flower, Emily Nyhuus spent nearly eight years figuring out what Reveal Party was trying to say. The result is a record about becoming yourself, but also about the strange detours that get you there: an imaginary character who gradually turns out to be you, songs rewritten until they finally feel true, and a musical world that refuses to stay in one genre. We talk about Midwest emo, Neutral Milk Hotel, crushes, songwriting, burnout, perfectionism, and why some records need years before they're ready to leave your hands.






Reveal Party's sophomore album, “Prettiest Flower,” blends her Midwest emo and lo-fi pop influences with elements of stadium rock and eclectic instrumental folk, creating a cohesive, self-referential, and wistfully nostalgic tour de force.

The record tells a coming-of-age story rooted in the trans experience, presenting a raw yet tender autobiography where truths are revealed between the lines and space is given to unspoken feelings. It explores the ache of transformation, the dreams simmering beneath the surface of a chrysalis, and the anxiety of being both larva and butterfly, marking an ambitious and emotionally resonant new chapter for this self-described professional yearner. - Livia Wendland 

Sep 20, 2026

The Deathray Davies • LAMPSHADE EARTHQUAKE MICROPHONE • 2026


Continuing their post-hiatus hot streak, The Deathray Davies are back with “Red Lights,” the first advance single from their forthcoming album LAMPSHADE EARTHQUAKE MICROPHONE, a spellbinding set of pocket symphonies that cull inspiration from vintage garage rock and psychedelic pop nuggets while employing heady musique concrète embellishments and ornate studio wizardry. 2021’s Time Well Wasted ushered in the band’s return following a 15-year hiatus, but this outing reaches back even further for source material; the bones of the record stem from a shelved recording project started in 2006. These excavated sessions were reworked and polished by The Davies, carving out the 13 paisley punk epics that make up the tracklist. With dexterous songwriting, lush instrumental textures, and guest contributions from some Elephant 6 heavyweights, the resulting record is essential listening for the discerning indie rock and roll listener.

Sep 15, 2026

Dutch Mustard • Hear Me Out • 2026

 


It's been a crazy journey, as always, to get new music recorded and out into the world, and this release definitely came with a mountain of challenges, both in my personal life and music world. It's incredible to always land on the same important phrase: "so long as the music is the best it can be, that's all that matters". Which is what all my music friends and friends outside of my work team and family always tell me. And let me tell you. I couldn't have created anything more honest than the music I've made over the last few years. 

A bit about the song

Hear Me Out - the title in itself already tells you a lot about the song. Lyrically, it talks about wanting to be seen and heard by a loved one. Not only because we should all be heard in a relationship (of any kind), but because it can save the relationship. Hear Me Out sonically travels through more stripped-back moments, at the start of the song, then builds into a whirlwind wind of emotion and chaos. Ending in calm intimacy. This is a song for those who deserve to be heard. 


Sep 1, 2026

ifitbeyourwill Podcast #197 • Johanna Samuels


Johanna Samuels makes songs that can turn a tiny memory into something that suddenly feels enormous. On this episode, we get into Sorry, Kid, revisiting old songs, getting older, the weirdness of memory, and how the places and people in our lives keep finding their way into our music. Johanna is thoughtful, funny, and refreshingly honest about the messy process of making sense of the past while still moving forward. A great conversation with a songwriter who knows how to make the personal feel universal—and a lot of fun along the way.



Aug 24, 2026

Reveal Party • Prettiest Flower • 2026

Reveal Party's sophomore album, “Prettiest Flower,” blends her Midwest emo and lo-fi pop influences with elements of stadium rock and eclectic instrumental folk, creating a cohesive, self-referential, and wistfully nostalgic tour de force.

The record tells a coming-of-age story rooted in the trans experience, presenting a raw yet tender autobiography where truths are revealed between the lines and space is given to unspoken feelings. It explores the ache of transformation, the dreams simmering beneath the surface of a chrysalis, and the anxiety of being both larva and butterfly, marking an ambitious and emotionally resonant new chapter for this self-described professional yearner. - Livia Wendland


Aug 22, 2026

Blondshell • Fur Elise • 2026




About the track, Sabrina Teitelbaum explains, "You're trying to figure out what you want your life to look like, and what you want playing at your wedding, but you don't even know where to start. You're picking the wrong song.”  


Aug 20, 2026

Gizmo • Antiques Roadshow • 2026

 

"Gizmo balance '90s slacker rock with mud-caked power-pop, and "Gift Shop" is a testament to that."
-Stereogum

"guitar-driven melodies and catchy hooks evoke a vintage feeling"
-Exclaim!


Website

Aug 17, 2026

ifitbeyourwill Podcast #194 • Kiwi Jr.

 

Four albums deep, Toronto's Kiwi Jr. arrive at Blowin' Up by doing something quietly radical: playing it live, together, in a room. Jeremy Gaudet traded the tight compression and Pro Tools tinkering of past records for the sound of four people breathing the same air—guitar solos left unswapped, drums left unmoved. The result opens up where earlier Kiwi Jr. records clenched, trading whimsical, pop-culture-soaked lyricism for something more spacious and unguarded. Gaudet talks candidly about writing from title first, riff last, and the Neil Young listening sessions that shaped the room-sound instinct. Out August 7th, it's the sound of a band trusting the take.




Aug 11, 2026

Ok Cowgirl • Rock N Roll Ruined My Life • 2026

 

"'Prepared to Lose' plays like the type of Carolina-set rock music Wednesday has been blazing new trails within, only with catchier hooks in lieu of heavy feedback." 

- FLOOD Magazine

"Ok Cowgirl are officially full steam ahead."

-The Line of Best Fit

"'It Wasn’t You, It Was A Feeling' is a proper introduction to the next chapter of Ok Cowgirl, one that is already promising an artistic evolution from an already singular band."

-Glide Magazine

https://www.okcowgirlband.com/

Ok Cowgirl, the Brooklyn based indie-rock band led by Leah Lavigne, today have shared their new single "Rock N Roll Ruined My Life." The track is the final single from from their Alex Farrar (MJ Lenderman, Indigo De Souza, Wednesday) produced LP Rhinestone Cowgirl, due out August 21st via Easy Does It Records. It follows LP singles "Cruise The Town," "God Made A Farmer" and "Prepared To Lose," which have garnered praise from Brooklyn Vegan, FLOOD Magazine, The Line of Best Fit, The Luna Collective, RIFF Magazine, and more.

Jul 10, 2026

ifitbeyourwill Podcast #187 • Jaco Jaco


Jaco Jaco's music exists in that rare space where groove and introspection become inseparable. Formerly of the Oklahoma indie-rock band Sports, Jacob Theriot has steadily carved out a solo identity rooted in warm bass lines, psychedelic textures, and songs that wrestle with uncertainty without ever losing their sense of joy. On the heels of his new album, On the Levee, Jacob joins If It Be Your Will to talk about leaving behind the only band he'd ever known, rebuilding his life in Philadelphia, finding confidence as a vocalist, and why the meaning of his songs often reveals itself only after they're written. It's a conversation about creative reinvention, trusting instinct over certainty, and discovering that the best records aren't built on answers—they're built on curiosity.




jacoja.co

Jul 7, 2026

ifitbeyourwill Podcast #185 • Knife in the Water


Some records don't age—they deepen. Nearly thirty years after Knife in the Water quietly reshaped the edges of alt-country and slowcore, Aaron Blount joins ifitbeyourwill to revisit the landscapes that first inspired the band and the memories that still echo through its songs. It's a conversation about Austin before it changed, music that refuses easy categories, and the strange privilege of watching old songs find new lives in new listeners.




Jul 1, 2026

ifitbeyourwill Podcast #184 • Mallory Hawk


Some debut albums arrive with the urgency of a first statement. Chinook feels different—it carries the weight of years spent listening, collaborating, and quietly becoming. On this episode, Mallory Hawk reflects on a childhood soundtracked by records and military helicopters, the winding road through New York's DIY underground, and the moment she stopped writing for everyone else and trusted her own instincts. It's a thoughtful conversation about memory, resilience, and the beautiful uncertainty that fuels great songs.




To produce Chinook, Hawk tapped like-mindedly omnivorous musician Sam Acchione (Alex G, Jessica Lea Mayfield), whom she’d befriended during her tenure in Customer. The two often spent hours trading liner notes minutiae, resulting in a collaboration that weaves songwriting idiosyncrasies with two lifetimes of radio scholarship. Hawk joined Acchione in Philadelphia to track at storied Headroom Studios (Hop Along, Algernon Cadwallader). There, she contributed tons of layers to Chinook—bass, drum machine, organ, rhythm and lead guitars—while Acchione encouraged unexpected overdubs like flugelhorn and djembe. 

Jun 14, 2026

Kiwi Jr. • "Blowin' Up” • 2026

 

linktr.ee/kiwijrgroup

Canadian four-piece Kiwi Jr. have announced a new album, Blowin’ Up, and shared its title track via a music video. The album is due out August 14 on K Records / Perennial / Kiwi Club. Watch the Ben Rayner-directed “Blowin’ Up” video below, followed by the album’s tracklist and cover artwork.

Kiwi Jr. is Brohan Moore, Jeremy Gaudet, Brian Murphy, and Mike Walker. They recorded the album at High Bias studios in Detroit Michigan with Graham Walsh. Guests on the album include Joe Casey and Greg Ahee of Protomartyr, Margaux Bouchaudon of En Attendant Ana, and Kerri Maclellan of Alvvays. underTRMag

Jun 13, 2026

Jaco Jaco • Wager • 2026





I bet the world and kept the wager
Don’t like to see you so sad
No column in the hall of fame
I only played the game
I wonder if we’ll find each other
Through those wings with eyes
Trapped in a phosphor almond glow
Where grass don’t grow

Its okay if what is right for me is wrong for you
Did it ever occur to you to try out something new?

Jun 10, 2026

DOUBLE CURVE • Shame • 2026


Double Curve was formed in Montreal in 2024, when three friends and longtime collaborators from various underground projects finally decided to start a band together. With a straightforward, minimalist lineup — guitar, bass, and drums—the trio has developed a sound shaped by repetition, dynamic contrasts, noise, and melody.

Drawing inspiration from bands such as Sonic Youth, Fugazi, The Wedding Present, the Pixies, and Sebadoh, Double Curve navigates between feverish energy and hypnotic momentum, balancing abrasive textures with underlying melodies. Their songs are built around intertwining guitars, driving bass lines, and rhythms that oscillate between restraint and intensity.
 
“Shame” was the first song Double Curve played together. It began with a simple guitar intro built around harmonics. It was an old idea that felt mysterious and atmospheric, but it gradually evolved into something more urgent, melodic, and catchy.





Hefner • The Fidelity Wars • 2008





Girls, they permeate Hefner’s songs like cheap perfume. Girls with cigarettes, lounging in unmade beds. Girls who drink whiskey. Girls who never, ever love the way that they are loved. Like Arab Strap, Hefner reside in the realm of the disastrous relationship, exhuming the sweaty, thoughtless bodies of past lovers, recounting tales of fumbled courtships with a draughtsman’s eye for detail. NME

Jun 7, 2026

Widemouth • Gasoline • 2026





Widemouth - No Gasoline (Urban Scandal)
The debut album from this Chicago band co-fronted by Mak Carnahan and Jamie Eder is an impressive set of evocative, intimate, dynamic indie rock that burrows into a tender intersection of slowcore, alt-country, and indie folk. With close friends Mak and Jamie delicately duetting throughout No Gasoline, there’s an emotional fragility and trusted closeness that poignantly pervades the record’s raw, heart-on-sleeve, coming-of-age sound. –AR