Nov 10, 2025

ifitbeyourwill S06E14 • Autocamper


There’s something beautiful about a guitar line that smiles while the lyric aches — that’s the trick Autocamper pulls off again and again. The Manchester band’s debut What Do You Do All Day? shimmers with that mix of brightness and bruising honesty.

Their story feels fittingly accidental: friends of friends, a project that almost happened, and finally a pub meeting that did. Out of that came a lineup stitched from deep-house childhoods, folk-festival summers, and an indie-pop instinct that just feels right. The result is a sound that breathes — light, melodic, a little dreamy, and grounded in real feeling.

When we talk about writing without irony, Jack laughs — it’s harder than it sounds. He writes from feeling first, letting words find their place once the music starts to move. Songs might begin as rough acoustic sketches or on a laptop at 2 a.m., but they only really live once the band’s in a room together. Everyone adds something different: the drummer’s electronic sensibility, the little melodic turns, the patience to leave space. It’s what makes the album flow the way it does — shifting vocals, thoughtful pacing, and hooks that sneak up on you later.

The reactions have been wild — singalongs in Glasgow, thoughtful notes from fans, and the odd review that missed the point entirely. That last one kicked off a bigger chat about how we listen, how we care, and why honest fanzines still matter.

At the heart of it all is sincerity. Autocamper’s not chasing cleverness or cool detachment — they’re after connection. And as they look ahead, they’re set on moving forward, not repeating themselves. The goal: keep it real, keep it human, keep it melodic.

If you like your indie rock with heart and a hint of ache, start here.
Spin the record, find your moment, and if it hits — tell someone. That’s how good music travels.

 


Nov 8, 2025

ifitbeyourwill S06E13 • The Hidden Cameras


A Canadian indie original walks into a Berlin studio and comes out with a record that swaps pews for pulse without losing its soul. We sit down with Joel Gibb of The Hidden Cameras to explore Bronto—how it was written across years and cities, why new instruments still spark his best songs, and what it takes to reinvent a beloved project without erasing its DNA. From the first gallery shows and that infamous “tones and drones of gay folk church music” tag to a slow-build electropop finale that took nearly two decades to land, Joel opens the notebook and lets us in.

We talk about the nine-year gap between albums and the quiet labour hidden inside it: tours that consumed seasons, pandemic delays, and long days auditioning sounds in Logic while folding in analogue synths for grit. Joel explains why he recorded vocals alone in Berlin, worked with Nicholas in Munich, and called on Owen Pallett in Toronto for strings—an international thread that gives Bronto its depth. Genre becomes a lens rather than a fence; he’s chased “goth,” “country,” and now “dance,” while staying true to the melodic bite and lyrical candour that defined The Hidden Cameras.

On the road, Joel is keeping it taut and human: train rides, a guitar, a kick drum, and tracks for the bangers. He shares why solo shows feel lighter and more focused, how he chooses setlists that bridge old hymns and new hedonism, and why some ideas need time to find the right frame. If you’re curious about creative process, gear as muse, or how a scene shift can change your sound without breaking your heart, this conversation delivers a rare, grounded look behind the curtain.

If you enjoyed this, follow the show, share it with a friend who loves indie lifers and sonic reinvention, and leave a rating or review so more listeners can discover our conversations.


Canadian singer and songwriter Joel Gibb transforms his long-running indie-pop band into a Berlin-based subterranean house factory. pitchfork





sundayclub • Bannatyne • 2025



“One of the strongest debuts you’re likely to hear this year” - Analogue Trash

Formed in the stillness of rural Manitoba, Courtney Carmichael and Nikki St.Pierre started sundayclub as a way of processing the strange limbo of early adulthood: that feeling of being caught between who you were and who you're becoming.

The band blends hazy indie pop and dreamy textures with unfiltered storytelling. Their music feels like a guided tour through snapshots of growing up, growing part, and growing into your skin. As sundayclub's sound sharpend, so does their sense of self. 


sundayclub -  NOVEMBER 2025 LIVE DATES

November 14, Winnipeg, MB @ Sidestage
November 18, Toronto, ON @ Collective Arts
November 20, Ottawa, ON@ House Of TARG
November 21, Montreal, QC @ NOMAD Nation (M For Montreal)
November 22, Montreal, QC @Toscadura (M For Montreal)
November 25, Toronto, ON @ Horseshoe Tavern

Nov 6, 2025

ifitbeyourwill S06E12 • Alexei Shishkin


What happens when you book four days in a studio with no songs written and trust your gut anyway? We sat down with Alexei Shishkin to unpack the making of Good Times, a record born from instinct, loops, and a shared “don’t overthink it” pact with producer Bradford Krieger at Big Nice in Rhode Island. Alexei walks us through the thrill of showing up empty-handed, improvising with friends, chopping bass lines into new shapes, and committing to sounds fast so inspiration never goes cold.

We dig into the long arc that got him there: early experiments with Sound Recorder and GarageBand, the way loops taught him arrangement and structure, and how his voice drifted from hidden texture to focal point as space, gear, and confidence shifted. Alexei explains why direct-in guitars, stock tools, and minimal mixing rounds weren’t shortcuts but creative choices that kept the project fluid. He also shares an unfiltered take on modern music careers—why he loves recording but refuses to tour, how he handled radio sessions with covers instead of acoustic stand-ins, and what it means to keep music in the passion lane while video work pays the bills.

This is a conversation for anyone fascinated by process over perfection, indie production that favours momentum, and the quiet discipline of knowing what you want from your art. Along the way, you’ll hear about influences like Microdisney, High Llamas, and Pavement, and the layered catalogue Alexei is building for deep-diving listeners. Press play, then tell us: do you value a flawless performance, or the spark of creation captured in real time? If you enjoy the show, follow, rate, and share with a friend who loves indie music stories shaped by instinct.





Nov 3, 2025

The Hidden Cameras • Counting Stars • Live 2016


The Hidden Cameras • How do you love? • 2025




The Hidden Cameras are a Canadian indie pop band formed in 2001 by singer-songwriter Joel Gibb. Known for their blend of melodic pop, orchestral arrangements, and provocative lyrics exploring queer themes, the band gained early recognition for their theatrical live shows featuring go-go dancers, choirs, and string sections.

Their debut album The Smell of Our Own became a cult favorite, followed by critically acclaimed releases like Mississauga Goddam and Awoo. Over the years, The Hidden Cameras have remained a unique voice in indie music, mixing intimacy, activism, and baroque pop sensibilities. Rough Trade

Nov 2, 2025

Rubber Band Gun • “Eyes Above” • 2025



I got turned onto the work of Kevin Basko through the people he rubs around with: The Lemon Twigs, Foxygen, Uni Boys, etcetera. Basko makes pop-rock like all of them, the sticky, howling dogs kind that’ll clog up your noggin, and he also makes a lot of it. In fact, he’s already put out three albums under the Rubber Band Gun banner in 2025 alone, a follow-up to the three albums he put out last year! And that’s not even including the three-part collection of demos he unveiled sometime in there, too. I dig that, and I dig the new Rubber Band Gun record, Record Deal With God. It’s a whole lot of fun, especially a firecracker track like “Eyes Above.” I mean, we’re talking about a potential favorite song of the year here!! With a glint of McCartney in his eye, Basko breaks through with some delirious, rabble-rousing rock and roll timelessness colored by his striking, catchy flavor of modernity. I credit Emily Moales’ backing vocals for yanking “Eyes Above” through the tides of retro. If there ever were a present-day example of Ram’s lasting influence on us young folk, look no further: —Matt Mitchell

Hand Gestures • Justin's Funeral • 2025


"a warm and spirited blend of indie rock that has elements of bands like Woods, Real Estate, and The Feelies" - We All Want Someone to Shout For

“Hand Gestures could actually become your new favorite band.” - We Love That Sound

“Hand Gestures doesn't feel like a new band, but rather a new chapter in American songwriting.” - Lost in the Manor

“pulsing with urgency but anchored in heart” - Fame Magazine

“For fans of reflective, melody-driven indie-rock that blends warmth with tension, this single is a quiet triumph.” - FLEX Magazine

“warm and breezy indie-rock textures, lofty atmosphere, and spellbinding hooks layered throughout” - Mystic Sons

“It is a spontaneous yet intricate exercise of guitar driven psych pop, a reality check wrapped in a quilt of gently shifting instrumentation.” - Here Comes the Flood

“What stands out most to me is the atmosphere they create. It’s simple, but not in a lacking way, it’s more like they know exactly what to leave in and what to leave out. That balance makes the whole thing feel alive.” - Cheers to the Vikings