“I hear a song,” adds Anja, “and feel there's something else I'd like to add. Then I don't listen to the original. Sometimes not for years. I record the songs from memory.” So she hasn't heard The Doors' "The End" for over seven years now. An old favorite song, a little time capsule. Similar to Shirley Bassey's "Born To Lose".
Other new interpretations are Cat Power's "Maybe Not", David Bowie's "Girl Loves Me", Tom Waits' "Johnsburg, Illinois", Janis Ian's "Stars" and "Pale Blue Eyes" by The Velvet Underground among others. The strongest transformation, however, was certainly the digital bonus track, Plaschg's version of Lana Del Rey's "Gods & Monsters". If Lana Del Rey still wants “fame” and “liquor” and that “slowly” in 2012, Soap&Skin sings: “fame and liquor?”, “that is nothing holy.” And sunny lethargy turns into an experimental and mysterious electro soundscape.
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