Avery Friedman • Flowers Fell • 2025

"If you're into intense, dreamy, subtly imaginative singer-songwriter-ly pop, people like Squirrel Flower or maybe the softer moments of Big Thief, don't miss the debut album by the Brooklyn singer Avery Friedman. Her songs are a cocktail of anxiety and uneasy beauty with chiming, ringing arrangements that really get under your skin." – NPR MUSIC (All Songs Considered)

“Her full-length debut, New Thing, is a work of raw singer/songwriter confessionalism, evoking the knotted melodies, homespun arrangements, and searing edges of musicians like Squirrel Flower, Babehoven, or Adrienne Lenker.“ – UNDER THE RADAR MAGAZINE

“The promise you are left with as a listener, that there is a beauty in uncertainty and becoming, that flowers that die will surely grow again.” – THE LINE OF BEST FIT

"Damn, I adored this record. I loved the writing. So image-rich and vidi, each song feels like its own universe. This is to say nothing of the diversity of soundscape – truly felt like a Writers Album." – HANIF ABDURRAQIB

“New Thing, the scarily accomplished debut album from Avery Friedman, is all about change and growth…Friedman inhabits a complex emotional realm where nervousness can coexist with (and inform) ideas of sexiness, sadness, tenderness. Her world is fragile but appears to have arrived fully-formed.” – KLOF MAG

“New Thing is as much about community as it is Friedman’s individual journey. The album will thrill those who yearn for the days of sad indie bands in Williamsburg clubs. While Friedman and her band might be further along on the L train, they’ve moved past the detached melancholy of that cohort and instead utilize the same musical strains to confront and move beyond the pain that holds them back.” – NO DEPRESSION

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“New Thing is a conduit for emotions too frenetic to hold on your own. This record is a collection of the first songs I’ve ever written, after many years of orbiting the music world but denying myself my own musicianship. Many of these tracks were born of anxiety—from my turning to a guitar to externalize (and organize) a sense of chaos that otherwise felt trapped inside me. We recorded the bulk of it with a live band as a means to maintain the raw energy at the center of the record. What results is a time capsule for a year of intense personal expansion in my life—and the layers of warmth, wonder, sensitivity, and sharpness that come with growing.” – Avery Friedman