https://groupspeed.lnk.to/SoFaint

“'Landlord”'was in a big pile of songs I started in 2023," Glaser says of the track. "I had just turned 29 and was essentially starting over. Most painful, beautiful, necessary year of my life. I was bopping around between friend’s guest rooms and my parent’s basement in St. Louis. Writing is genuinely all I wanted to do. This was one of the first that came out that really excited me… I started playing the little arpeggiated synth line & just let it loop for hours.. slowly wrote words over it and added a clunky guitar part. It was the first one off “The Lodge In Miller County” that I brought to other people. I made a demo with Owen Lewis & Jamie Dick in Nashville.. Hearing real drums kind of turned the “I’m making these into album” switch on. It also gave me maybe the most severe case of demo-itis I’ve ever had?? There are probably 14 different versions of this song."
https://helloshark.lnk.to/inhell
That night outside the Dolphin I was having so much trouble walking light skipped my legs they went too soon I loved watching you laughing outside, holding your friend crying cuz your moving home are you still? How your eyes still look like heaven for how long they have been open and i saw you walk in you split the room are you still in hell? or are you still?


"An uncommonly magnetic indie rock quartet...one of this year’s most impressive new acts." - Rolling Stone
“The four close friends have found themselves entering a future so bright and open-ended that their lofty ambition for Swapmeet will only rise.” - The Line of Best Fit ★★★★
"A sublime debut from soon-to-be indie stars." - Far Out Magazine ★★★★

"Cameos" captures themes of grief, isolation, memory and the fleeting nature of human connections present in the record. "Like a lot of the album, the lyrics are much more inward looking and about journeying through grief and how important people are only there for part of your story,” says Jim Dixon of the band and the single’s lyric writer.

For this EP, I wanted to combine songs that were cut from when i paint my masterpiece, as well as the ones I’d recorded a million years ago when I was just a child. It was to test their fragility. How would they behave next to the other? The old and the new? The brave and the haunted? The impression and the finely sculpted. I also decided to mix three of the songs myself (was it a mistake? you tell me…I says). I’ve been thinking of the kind of artist I’d like to be, and how I’d like to see all artists treated. I am most at home when I am creating and performing, it is what I was born to do. These worlds are opposites. 12th house and 6th, 4th & 10th, the story goes on. I can imagine a future where artists are supported by UBI and they do what they want. A kind of welfare for the serious artists that are not afraid to play. It serves the betterment of society to support artists this way. I know there are others out there, like me, that feel little purpose in their life when they’re not working toward making things. But it’s also near to impossible to make things when you are fighting to protect your energy at every turn, feeling burnt out. stereogum

